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This part of the website shows sold works.
The definition of pictures is a compromise between the different screens and the slowest modems. Even so, it can take much time to display enlargements due to their size (100 to 200Ko).

 

Detail 1    Detail 2

 

 

From the Gospel of Otto III (Munich, Bayerische Staatsbibliothek, Clm.4453, Folio 139r)
Late Xth cent. (picture 170mmx220mm)

Saint Luke, represented with a pile of codex on his knees, exalts the prophets of the Old Testament who announced the arrival of the Christ.
The manuscript of Otton III, whose richness of the original binding equalizes the content, is one of the most precious manuscripts of the world.

Goat parchment.
23½ carat gold leaf on gum ammoniac and 23½ carat gold fluid burnished.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Historical pigments: Blend (Cochineal, Lapis-Lazuli, cinnabar), malachit, copper acetate, yellow ochre...

Detail 1    Detail 2

 

 

From the "Très riches Heures du Duc de Berry" (Ms.65, Folio14v)
XVth cent. (text & picture210x270mm)

Universal man in the center of all the astrological signs.

vellum parchment.
23½ carat gold fluid burnished and 24 carat silver.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Historical pigments: Lapis-Lazuli, cinnabar, copper acetate, ceruse, yellow ochre...

 

 

 

From a german cut off leaf (Berlin, Kupferstichkabinett)
XIII-XIVe s. (165x115mm)

This representation of St Michael bringing down the dragon is superbly made of fuid curves over geometrical patterns, accentuating the motion effects.

Goat parchment.
23½ carat gold leaf on gum ammoniac and 23½ carat gold fluid burnished.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Historical pigments:Lapis-Lazuli, red and yellow ochres, green earth, ceruse...

 

 

 

From the Averbode "Evangéliaire" (Université de Liège, MS.363,Folio17)
XIIe s. (200x135mm)

This nativity is divided in two parts.
In the first one, a cloud of angels contemplates Jesus in his through, next to the donkey and the ox. The stage is flanked by the prophets Habacuc and Isaiah.
The Virgin and Joseph, separated from the child, are represented in the second part.

Goat parchment.
23½ carat gold leaf on gum ammoniac.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Historical pigments: Lapis-Lazuli, cinnabar, malachit, ceruse...

 

 

 

Saint Théodore
(Picture 135x115mm )

Initial "T" with St Theodore bringing down dragons.

Goat parchment.
23½ carat gold leaf on gum ammoniac, and silver powder
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Historical pigments: Lapis Lazuli, azurit, minium, copper acetate, ceruse...

 

 

 

Prayer to Ste Sabine and St Florent
(Texte & picture 147x150mm)

Initial "S" with the miniatures of Ste Sabine and St Florent.
Prayer text on the occasion of engagement.

Goat parchment.
23½ carat gold leaf on gum ammoniac.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Historical pigments: Lapis Lazuli, redochre, ceruse...

 

Detail

 

 

From "La Somme le Roi" (London, British Library, Ms. Add. 54180, Folio 16v.)
Late XIIIth cent. (picture 120x160mm)

The Beast with many faces crushing a saint and adored by an hypocrite.

Goat parchment.
23½ carat gold leaf burnished with agate on base and gold powder for the calf.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Natural pigments: Lapis-Lazuli, cinnabar, copper acetate, ceruse, ochres...
Oak gall ink and cinnabar.

 

Detail1   Detail2
Detail3   Detail4

 

 

From the "Très riches Heures du Duc de Berry" (Ms.65, Folio195)
XVth cent. (text & picture180x210mm)

St Michael bringing down the dragon.

vellum parchment.
23½ carat gold fluid burnished.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Historical pigments: Lapis-Lazuli, Azurit, cinnabar, copper acetate, malachit, ceruse, red and yellow ochre...
Oak gall ink.

 

 

 

From a miniature of the St Michael Mount Manuscripts.
Picture & text: 230x160mm

Order for a wedding present.
Miniature from the St Mihael Mount Manuscripts accompanied by the St Michael's prayer.

Goat parchment.
23½ carat gold leaf on gum ammoniac
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Historical pigments: Cinnabar, copper acetate.
Oak gall ink.

 

 

 

Grandes Armes of the Family Manno
(picture & text155x190mm)

The crown ssurmounting the coat of arms is a baron crown, title which is in the Family since 1343.
The Manno Family came from France during the invasion of Sicilia by the norman (normanno in italian), and many authors think they can trace back the origin to the close entourage of Charlemagne (source: directory of the sicilian nobility).

Vellum parchment.
23½ carat gold leaf on gum ammoniac and gold powder.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Historical pigments: Cinnabar, ceruse.
Oak gall ink.

 

Detail

 

 

From the Bible of Montiéramey (BM Troyes, Ms28 T1 folio111v)
XIIème cent. (picture & text 125x265mm)

Initial F introducing the text of the first book of Samuel.
In the middle of multiple interlaces, David is about to give the coup de grâce to Goliath, fallen down from one's horse

Goat parchment.
23½ carat gold leaf on gum ammoniac.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Historical pigments: Lapis-Lazuli, malachit, copper acetate, minium, red ochre, ceruse...
Oak gall ink.

 

 

 

From the Maciejowski Bible (New York, Pierpont Morgan Library, MS.638, Folio41r.)
XIII
th cent. (text & picture 225x190mm)

Detail of a page of the Bible. The miniature shows the battle of David against syrians and their chief Shobach.
The text written in latin describe the scene.

Goat parchment.
23½ carat gold leaf on gum ammoniac.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Historical pigments: Lapis Lazuli, minium, cinnabar, copper acetate, red and yellow ochre, ceruse...

 

 

 

From the Codex de St Georges (Roma, Vatican Library, Ms. 129 folio 85)
 (text & picture 220x290mm)

Classical representation of St Georges relieving the princess of the dragon.

Kid parchment.
23½ carat gold leaf burnished with agate on base.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Historical pigments: Lapis-Lazuli, minium, green earth, yellow ochre, ceruse.
Oak gall ink.

 

 

 

From the Hours of Nuremberg (Ms. Solger4.4°, Folio 83v)
XIII
th cent. (text & picture 160x210mm)

Initial "D" with the miniature of the Throne of Grace. The original, realized in Paris, is now preserved at the Stadtbibliothek of Nuremberg

Goat parchment.
23½ carat gold leaf burnished with agate on engraved base.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Historical pigments: Lapis-Lazuli, cinnabar, cochineal.
Oak gall ink.

 

Detail

 

 

From Commentary on the Psalms, from Pierre Lombard (BM Troyes, Ms92 T1 folio2)
XIIth cent. (texte & picture 100x240mm)

Illuminated initial, at the beginning of the first psalm.

Goat parchment.
23½ carat gold leaf on gum ammoniac.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Historical pigments: Lapis-Lazuli, malachit, copper acetate, red ochre...
Oak gall ink.

 

 

 

From the Bible of St Bernard (BM Troyes, Ms458 T1 folio 213v)
XIIth cent. (text & picture 80x95mm)

Initial V of Visio, made by two dragons.

Goat parchment.
23½ carat gold leaf on gum ammoniac.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Historical pigments: Lapis-Lazuli, malachit, cinnabar...
Oak gall ink.

 

 

 

From Commentary on the Psalms, from Pierre Lombard (BM Troyes, Ms92 T1 folio100v)
XIIth cent. (texte & picture 120x160mm)

Initial D of the Psalm number 52.

Goat parchment.
23½ carat gold leaf on gum ammoniac.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Natural pigments: Lapis-Lazuli, copper acetate, cinnabar, minium, brasil wood...
Oak gall ink.

 

 

 

From Commentary on the Psalms, from Pierre Lombard (BM Troyes, Ms92 T2 folio70v)
XIIth cent. (texte & picture 100x160mm)

Initial D of the Psalm number 109.

Goat parchment.
23½ carat gold leaf on gum ammoniac.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Natural pigments: Lapis-Lazuli, copper acetate, cinnabar, minium, brasil wood...
Oak gall ink.

 

 

Picture of the Frame

 

 

From the "Très riches Heures du Duc de Berry" (Ms.65, Folio182)
XVth cent. (text & picture120x215mm)

Resurrection of the Christ.
Resurexxi et adhuc tecum sum... I woke up and I am still with you...

Kid parchment.
23½ carat gold fluid burnished.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Natural pigments: Lapis-Lazuli, Azurit, cinnabar, copper acetate, ceruse, yellow ochre...
Oak gall ink.

 

 

 

From the Hours of Nuremberg (Ms. Solger4.4°, Folio 22r)
XIII
th cent. (text & picture 130x220mm)

Initial "D" with the miniature of the dormition of the Virgin. The original, realized in Paris, is now preserved at the Stadtbibliothek of Nuremberg

Goat parchment.
23½ carat gold leaf burnished with agate on engraved base.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Semi precious pigments: Lapis-Lazuli, cinnabar, cochineal.
Oak gall ink.

 

Detail1    Detail2

 

 

From "La Somme le Roi" (London, British Library, Ms. Add. 54180, Folio 5v.)
Late XIIIth cent. (picture 120x160mm)

Moses taking the Tables of the Law and hypocrites adoring the golden calf.

Goat parchment.
23½ carat gold leaf burnished with agate on base and gold powder for the calf.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Natural pigments: Lapis-Lazuli, minium, copper acetate, ceruse, yellow ochre.
Oak gall ink and cinnabar.

 

Detail1    Detail2

 

 

From the Maciejowski Bible (New York, Pierpont Morgan Library, MS.638, Folio28v.)
XIII
th cent. (text & picture 240x185mm)

Detail of a page of the Bible representing one of the most famous scene of the Ancient Testament: David against Goliath.

Goat parchment.
23½ carat gold leaf on gum ammoniac.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Natural pigments: Lapis Lazuli, Azurit, red ochre, ceruse, minium, copper acetate, cinnabar, yellow ochre.
Oak gall ink.

 

 

 

From the Maciejowski Bible (New York, Pierpont Morgan Library, MS.638, Folio23v.)
XIII
th cent. (text & picture 220x200mm)

Detail of a page of the Bible. The ammonite army, leaded by Nahash, laid siege to the town of Yabeth. The king Saul's army goes to the town's aid and scatters the invaders.

Goat parchment.
23½ carat gold leaf on gum ammoniac.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Natural pigments: Lapis Lazuli, Azurit, cinnabar, ceruse, minium, green of iris, yellow and red ochres.
Oak gall ink.

 

 

 

From the Marquette Bible (Getty Museum, Ms.Ludwig I 8,V1, Folio 10v)
XIIIth cent. (text & picture 300x400mm)

This grand initial "I", for "In principio creavit Deus" (In the beginning God created), is the first page of the Marquette Bible preserved at the Getty Museum. The different events of creation, and the Crucifixion, are represented on medaillons embedded within the initial.

Goat parchment.
23½ carat gold leaf burnished with agate on base.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Natural pigments: Lapis-Lazuli, cinnabar, ceruse, copper acetate.
Oak gall ink.

 

 

 

From the Montiéramey Bible (BM Troyes, Ms28 T2 folio107)
XIIth cent. (text & picture 100x160mm)

Initial T of Tobie, made by two dragons.
The prophet Tobie is piercing a dragon with his spear. Imprisoned by many plants, Tobie is swaying one's hip in order to suggest a moving scene.

Goat parchment.
23½ carat gold leaf on gum ammoniac.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Natural pigments: Lapis-Lazuli, copper acetate, cinnabar...
Oak gall ink.

 

 

 

From the Maciejowski Bible (New York, Pierpont Morgan Library, MS.638, Folio29v.)
XIII
th cent. (picture 195x120mm)

Detail of a page of the Bible. The miniature shows the battle of David against philistines. The king Saul promises his daughter if David can slay 100 Philistines.
David will slay 200...

Goat parchment.
23½ carat gold leaf on gum ammoniac.
Pigments binded with medieval tempera (gum arabic, egg, honey water).

 

 

 

From the Ingeburge Psalter (Chantilly, Musée Condé, Ms.1965, Folio 28v)
Early XIII
th cent. (picture 205x150mm)

The Ingeburge Psalter is probably the most beautiful example of a transition of the romanesque to the gothic style (softening of the formes, human faces more expressive...).

Goat parchment.
23½ carat gold leaf burnished on base with agate.
Pigments binded with medieval tempera (gum arabic, egg, honey water).

 

 

 

From the Hours of Anne de Bretagne (folio 115)
Early XVIth cent. (picture 65x220mm)
 

The Hours of Anne de bretagne contain an impressive herbarium, illustrating most of the plants of the medieval gardens. We have here, some white violets with a dragonfly.

Goat parchment.
"Mineral" gold fluid from "Laverdure".
Pigments binded with medieval tempera (gum arabic, egg, honey water).

 

 

 

From the Souvigny Bible (Moulins, BM, MS., Folio288v.)
Late XII
th cent. (picture 155x105mm)

After a very long absence, the young Tobie comes back in order to cure the blindness of his father: Tobit. His mother and other people attend the stage.
This picture was, for a long time, a model of paternal love and filial piety.

Goat parchment.
23½ carat gold leaf on gum ammoniac.
Pigments binded with medieval tempera (gum arabic, egg, honey water).

 

 

 

From "the life of St Amand" (Valenciennes, BM, MS., Folio61r)
XII
th cent. (picture 155x135mm)

In order to devalorize some pagan cults venerating animals of the forest, this miniature tells how St Amand, bishop of Maastricht and evangelist, constrained the bear, wich devoured the mule, to carry his luggages.

Sheep parchment.
23½ carat gold leaf and 24 carat Silver leaf on gum ammoniac.
Pigments binded with medieval tempera (gum arabic, egg, honey water).

 

 

 

St Nicholas
(unknown origin)
(picture 100x80mm)

Initial "S" with the miniature of St Nicholas resuscitating the children from the salting tub of the nasty butcher.

Sheep parchment.
23½ carat shell gold (powder).
Pigments binded with medieval tempera (gum arabic, egg, honey water).

 

 

 

From the book "Moralia in Job" (Tours, BM; MS.321, Folio248v.)
XII
th cent. (155x125mm)

This initial "Q", like most of the ones of the XIIth century, shows an abounding scenery where plants are mixing with fantastic creatures.
This evocation suggest to the reader what happens to the sinner who wouldn't be converted to a better christian life...

Sheep parchment.
23½ carat gold leaf.
Pigments binded with medieval tempera (gum arabic, egg, honey water).

 

 

 

From the book "Moralia in Job" (Tours, BM; MS.321, Folio 029v.)
XII
th cent. (140x105mm)

Initial "Q" using the classic theme of  St Michael bringing down the dragon.

Goat parchment.
23½ carat gold leaf burnished with agate on base.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Natural pigments: Lapis-Lazuli, cinnabar, ceruse, yellow and red ochres.
Oak gall ink.

 

 

 

From "A life of St Louis" (Bibl. Ste Geneviève, Ms.782, Folio 327)
Early XIV
th cent. (110x120mm)

Historiated initial of St Louis holding a sceptre and a model of the holy chapel.

Sheep parchment.
23½ carat gold leaf and 23½ carat shell gold (powder).
Pigments binded with medieval tempera (gum arabic, egg, honey water).

 

 

 

From the Hours of Ruskin (Ms. Ludwig IX3; 83.ML.99, Folio 37v)
XII-XIV
th cent. (160x240mm)

Initial "D" with the miniature of the annunciation to the Virgin. This is an example of a complete illuminated manuscript (Initial with miniature, calligraphy and decorated margins).

Goat parchment.
23½ carat gold leaf burnished on base with agate and on gum ammoniac.
Pigments binded with medieval tempera (gum arabic, egg, honey water).
Semi precious stone pigments: Lapis-Lazuli and cinnabar.
Oak gall ink.

 

 

 

From the Averbode "Evangéliaire" (Université de Liège, MS.363,Folio17)
XIIe s. (200x135mm)

This nativity is divided in two parts.
In the first one, a cloud of angels contemplates Jesus in his through, next to the donkey and the ox. The stage is flanked by the prophets Habacuc and Isaiah.
The Virgin and Joseph, separated from the child, are represented in the second part.

Goat parchment.
23½ carat gold leaf burnished on base with agate..
Pigments binded with medieval tempera (gum arabic, egg, honey water).

 

framed version

 

 

From a german cut off leaf (Berlin, Kupferstichkabinett)
XIII-XIVe s. (165x115mm)

This representation of St Michael bringing down the dragon is superbly made of fuid curves over geometrical patterns, accentuating the motion effects.

Sheep parchment.
23½ carat gold leaf on gum ammoniac and 23½ carat shell gold (powder).
Pigments binded with medieval tempera (gum arabic, egg, honey water).

 

framed version

 

 

From the Aberdeen Bestiary (Aberdeen University Library MS 24, Folio14v.)
XII-XIIIe s. (85x85mm)

Two wild goats lock horns during a confrontation.

Sheep parchment.
23½ carat gold leaf on gum ammoniac.
Pigments binded with medieval tempera (gum arabic, egg, honey water).

 

framed version

 

 

From the Aberdeen Bestiary (Aberdeen University Library MS 24, Folio14r.)
XII-XIIIe s. (90x85mm)

Majestic goat scratching its head.

Sheep parchment.
23½ carat gold leaf and 24 carat Silver leaf on gum ammoniac.
Pigments binded with medieval tempera (gum arabic, egg, honey water).